Vampir, Zan-e khoon-asham

1967, regia di Mostafa Oskooyi

Scheda: Nazione: Iran - Produzione: Cinema Theater Anahita - Soggetto: Mostafa Oskooyi - Sceneggiatura: Mostafa Oskooyi - Fotografia: Maziar Parto - Set Decoration: Valiollah Khakdan - Musiche: Hosein Dehlavi - Formato: B.N. - Durata: 90'.

Cast: Mostafa Oskooyi, Mehdi Fat'hi, Valiyollah Shirandami, Mahindokht, Homayoondokht, Mohammad Kahnemout.

Plot Summary, Synopsis, Review: IMDb - wipfilms.net - goodreads.com - imcdb.org - facebook.com - taliesinttlg.blogspot.it: «From director Mostafa Oskooyi and released in 1967, this is a real rarity and so I have to apologise for the quality of the screenshots but the version of this I managed to see was clearly a poor video rip. That said I don’t believe that a pristine copy of this is likely to emerge any time soon. However, due to the fact that the quality was so low – I struggled seeing what was happening in some scenes – I have not reviewed the film as I could not judge the quality of the film due to the low quality of the reproduction.  Vampir, Zan-e khoon-asham, or the Vampire Woman, is (as far as I can gather) the first example of an Iranian vampire film and I must warn you I will spoil the main twist. It begins with a man, Jahangir (Mostafa Oskooyi), being taken into police custody. He begs them to let him stay in the office, whilst protesting his innocence and even begs them to stay with him. He is left on his own, his protestations ignored, and we see a woman wearing a hijab... she is a vampire… Going back in time, a train pulls into Neychabour station and a man, Bahram (Mehdi Fat'hi), chases alongside, excited that his friend Jahangir has come to visit. He takes him on a tour, visiting Khayyam’s house, Sheikh Attar’s tomb and the new tomb of Kamal-ol-molk. Following this he takes Jahangir to where he lives and they meet Mashti working in the groves along with his daughter Golnar (Mahindokht). Jahangir decides he wishes to sleep amongst the trees. ...».

Conosciuto anche con il titolo: The Vampire Woman.

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