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2005, regia di Kabat Esosa Egbon
Scheda: Nazione: Nigeria - Produzione: Kas-Vid International - Formato: Color - Durata: 93'.
Cast:
Justus Esiri, Muna
Obiekwe, Collins Onnochei, Nora Roberts.
Plot Summary, Synopsis, Review: IMDb - mondo70.blogspot.it - abandomoviez.net - film.moviesaz.org - taliesinttlg.blogspot.it: «Vampire’s Call is a Nigerian vampire film… it has that in its favour as we have not (thus far) visited Nigeria in our search for vampire media from around the world. However Nollywood is one of the largest film producing industries in the world. Regional location often dictates whether the film is shot in the Igbo or Edo language, though Vampire’s Call has been shot in English. I apologise for the state of the screenshots through this review as the film was watched via YouTube. So, being from Nigeria is in the film’s favour but little else is. The Nollywood output is shot on video primarily but the pacing, story and effects were all suspect, to be candidly honest. The worst offender was pacing but we will get to that after the description of the film… this will spoil a lot. At a village compound the women sit and gossip as a car pulls in. A woman, Lisa (Stephanie Okereke), gets out of the car dressed in a business suit. She is greeted by her grandmother (Nora Roberts). It is five years since she had visited, five years since her parents died. Later (talking to her Grandfather (Justus Esiri)) we discover that she has been in England – though he got England and the US mixed up – and she is a medical doctor. She asks where her Grandpa is, it seems her Auntie Maggie died and he and the menfolk have been to her – the women are waiting their return. Lisa has a sleep and dreams. In her dream she carries flowers into the graveyard but thunder sounds out and she drops the flowers and walks into the depths of the graveyard as though she is in a trance, as howls (suspiciously wolf like ones at that) sound through the night. She reaches a house and sees a skeleton stood before it, with a glowing heart within the rib cage, and the cgi so poor that it makes you wish they had just used a plastic skeleton. She awakens to be told by her niece that grandpa is back. ...».
2005, regia di Kabat Esosa Egbon
Scheda: Nazione: Nigeria - Produzione: Kas-Vid International - Formato: Color - Durata: 89'.
Cast:
Justus Esiri, Muna
Obiekwe, Collins Onnochei, Nora Roberts.
Plot Summary, Synopsis, Review: IMDb - mondo70.blogspot.it - abandomoviez.net - watch32.la - film.moviesaz.org - taliesinttlg.blogspot.it: «Not a sequel to Vampire’s Call but a continuation (so do read the first review), the first film had the redeeming feature of showing us some Nigerian culture as well as some fine music. This does neither – indeed I’ll get to the soundtrack later. After 1.5 hours of the first film, where very little happened, you might be forgiven for expecting this part to be a rollercoaster of vampiric action. You’d be wrong though. Long stretched out pointless moments are the order of the day… again. So, as we left off, Lisa (Stephanie Okereke) is over in Nigeria having been plagued by nightmares of a fanged man we know, via the credits, is called Max (Muna Obiekwe). Her grandfather is telling her a story about the love of a warrior called Chioke (also played by Muna Obiekwe) for an outcast woman called Chioma (also played by Stephanie Okereke). This film starts with the last five minutes of the previous film. Anyway we then discover that the jealous priestess had a very pregnant Chioma beaten. She manages to give birth and extract a promise of everlasting love before dying. Chioke went to get revenge and died (off screen) and the baby was orphaned but the priestess sold herself to witches in order to curse the baby anyway (indeed all past the beating and birth is off-screen). As night falls Lisa goes off with a torch and feels Max following her. She calls to him to show himself. He offers to walk her home and says that he would never hurt her. The next day a man arrives. He is Richard (Collins Onnochei) and Lisa had been in a relationship with him in England before up and running off to Nigeria without a by-your-leave. The question could be, is the man who followed her a beacon of love or a creepy stalker… it doesn’t get answered but we get an interminable section of film with the two holding hands and wandering around the Nigerian countryside. ...».
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