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Barbe bleue
2009, regia di Catherine Breillat
Scheda: Nazione: Francia - Produzione: Flach Film, CB Films, Arte France - Distribuzione: New Wave Films, Strand Releasing, Arte - Soggetto: dall'omonima fiaba di Charles Perrault - Sceneggiatura: Catherine Breillat - Fotografia: Vilko Filac - Montaggio: Pascale Chavance - Scenografia: Olivier Jacquet - Costumi: Rose-Marie Melka - Effetti speciali: Guillaume Bauer, Mathieu Jurgenson, François Willenz - Formato: Color - Durata: 80'.
Cast: Dominique Thomas, Lola Creton, Daphné Baïwir, Marilou Lopes-Benites. Lola Giovannetti, Laure Lapeyre, Luc Bailly, Farida Khelfa, Isabelle Lapouge, Adrien Ledoux, Jacques Triau, Suzanne Foulquier.
Trama e commenti:
cinematografo.it
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mymovies.it
- movieplayer.it: «Barbablù
è un cinquantenne donnaiolo che predilige giovani modelle. Tra queste vi è
Catherine, che ama spaventare a morte la sorella Marie-Anne leggendogli la
favola di Barbablù. Entrando a far parte della fiaba, Catherine diventa la
Principessa Marie-Catherine, l'ultima donna di Barbablù, colei che, a differenza
delle precedenti mogli si salverà a causa della sua virginale virtù».
Plot Summary, Synopsis, Review: IMDb
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allmovie.com
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film-forward.com
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criticscinema.com
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confrariadecinema.com.br
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hollywoodreporter.com
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theauteurs.com
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film.the-fan.net
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mattriviera.net
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zelluloid.de
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bfi.org.uk:
«Despite its unusually muted, indeed implicit, sexual content, Catherine
Breillat's low-budget fairy tale bears the unmistakable stamp of French cinema's
leading provocatrice. Set in a bygone-age France, this elegant Freudian fable
begins with two girls, Marie-Catherine (Lola Creton) and reportedly 'bad seed'
younger sister Anne (Daphné Baïwir), being sent home from convent school when
their father dies. With their family facing poverty, defiant Anne marries a much
feared local seigneur, the hefty, hirsute Bluebeard (Thomas) and proves an
unflappable match for him. In a present-day parallel strand, the Charles
Perrault tale of Bluebeard is read by another pair of siblings, Marie-Anne and
Catherine, who give the story their own comic gloss. Using a lively and much
younger female cast than usual, Breillat offers a pointed commentary on girlhood,
its dreams and rebellious impulses. Mounted with a stylised spareness recalling
French mediaeval dramas by the likes of Jacques Rivette and Walerian Borowczyk,
Bluebeard is a sly, somewhat Buñuelian essay that will appeal not just to
Breillat devotees but also to lovers of the dark side of fairy tale – and,
incidentally, to readers of Angela Carter, who made the Bluebeard story her own
in the collection The Bloody Chamber» (Jonathan Romney).
Approfondimenti: Movie
Review
Conosciuto anche con i titoli: Bluebeard; Blaubart; Barba Azul.